1065 Brands 3382 Models 24638 Galleries 15559 Typefaces 6273 Patents
Home » Olivetti » Studio 44 » 1967 #1138477
1967 Olivetti Studio 44 Serial # 1138477 1967 Olivetti Studio 44 typewriter, Serial # 1138477 Daniel Rincon's 1967 Olivetti Studio 44 typewriter. 2026-04-15 From the Virtual Typewriter Collection of Daniel Rincon: 1967 Olivetti Studio 44 Serial # 1138477 This Olivetti Studio 44, serial number 1138477, was assembled in Colombia in 1967 from Italian parts. I acquired it from a seller who had received it through the liquidation of a company. It survives in notably good original condition and appears to have seen relatively careful use. It has elite typeface.

Mechanically, it is an excellent example of the model. The machine writes extremely well, with a firm and stable touch that reflects the Studio 44’s reputation as a robust standard-portable suited to extended typing sessions. It has required no disassembly so far, and even the ribbon remains serviceable, which speaks well of both its preservation and its mechanical integrity.

This example is also of interest for its local context. Olivetti maintained a significant presence in Colombia for decades and assembled a number of typewriters there, including the Studio 44. In that respect, this machine is not only a very capable writer, but also a representative piece of Olivetti’s industrial and commercial history in the Colombian market.

1967 Olivetti Studio 44 #1138477

Status: My Collection
Hunter: Daniel Rincon (drinconv1)
Created: 04-15-2026 at 07:37AM
Last Edit: 04-15-2026 at 07:44AM


Description:

This Olivetti Studio 44, serial number 1138477, was assembled in Colombia in 1967 from Italian parts. I acquired it from a seller who had received it through the liquidation of a company. It survives in notably good original condition and appears to have seen relatively careful use. It has elite typeface.

Mechanically, it is an excellent example of the model. The machine writes extremely well, with a firm and stable touch that reflects the Studio 44’s reputation as a robust standard-portable suited to extended typing sessions. It has required no disassembly so far, and even the ribbon remains serviceable, which speaks well of both its preservation and its mechanical integrity.

This example is also of interest for its local context. Olivetti maintained a significant presence in Colombia for decades and assembled a number of typewriters there, including the Studio 44. In that respect, this machine is not only a very capable writer, but also a representative piece of Olivetti’s industrial and commercial history in the Colombian market.

Typeface Specimen:

Photos:






Return lever is inclined towards the front. Haven been able to fix it.
Return lever is inclined towards the front. Haven been able to fix it.


Hunter: Daniel Rincon (drinconv1)

Daniel Rincon's Typewriter Galleries [ My Collection ] [ My Sightings ]

Status: Typewriter Hunter
Points: 31

I am drawn to typewriters not merely as collectible machines, but as enduring witnesses to thought, labor, and craftsmanship. Each one bears the marks of a different age: an age in which writing was inseparable from touch, rhythm, discipline, and mechanical certainty. What I seek in them is not only their form or rarity, but their character—the distinct way in which each machine receives the hand, shapes the page, and invites a more deliberate kind of attention.

My interest lies as much in preservation as in use. I care deeply about rescuing and conserving these pieces of history with respect for their original materials, finishes, and mechanical integrity. To preserve a typewriter, in my view, is not simply to keep it intact, but to understand it, to listen to what time has done to it, and to intervene with restraint. These machines deserve more than restoration for appearance; they deserve stewardship.

And yet I do not regard them as silent relics. I want them close to the center of my daily intellectual life: companions in work, in study, and in the long discipline of doctoral research. In a world of distraction and speed, the typewriter offers something increasingly rare—a way of writing that restores gravity to words and intention to thought. For that reason, I value these machines both as artifacts of cultural memory and as faithful allies in the demanding craft of reading, thinking, and writing.



RESEARCH NOTE: When researching the Olivetti Studio 44 on a computer with lots of screen real estate, you may find that launching the Olivetti Serial Number page and the Olivetti Studio 44 By Model/Year/Serial page in new browser windows can give you interesting perspectives on changes throughout the model series.